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Multi compressor logic pro x free
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Multi compressor logic pro x free –
Multiband compressors are flexible music production tools with a variety of applications. But this is just one possible use. Long story short, a multiband compressor gives a music producer the best of both worlds : dynamic range control and tonal shaping.
A great free multiband compressor plugin. There is clearly no shortage of free multiband compressors, but not all of them are worth the download. Sometimes, you really do get what you pay for. Convergence by Cut Through Recordings is a feature-packed multiband compressor with a beautiful interface. Touted as a mastering grade plugin, Convergence provides super clean and precise dynamic control and a good deal of configuration options.
They offer a free VST, which is the subject of this review. To my eyes, the GUI is immediately inviting and modern without being cluttered with too many controls. The sound aims at utmost digital accuracy, with a very minimal phase shift. More importantly, the plugin is impressively efficient in terms of CPU consumption.
In the free VST you can choose between 2 and 4 freq. The main spectrum analyzer display lets you easily adjust the crossover points of these bands. Our favorite feature is the ability to link any of the compression controls across all the bands.
This means you can increase or decrease the value of any parameter for all the bands at once. Each band can also be heard in solo, with the ability to solo multiple bands together. The plugin packs in envelope and compression curve displays gain reduction display is only in the paid version for accurate real-time visualization. Oversampling up to 2x is available 8x in paid version to top off an already impressive feature set.
This versatile mastering compressor can handle even the most dynamic of tracks. Convergence features up to 10 bands of compression and as low as 2 bands. Convergence is worth checking out, especially as a field test for the premium version. It looks great and provides precise feedback of the compression process, true to its mastering grade tag. GMulti should be the first thing you check out if you want a transparent multi-band compressor plugin. You can read the online manual and download the plugin here.
GMulti fixes the number of bands at three. The presence of only 3 bands simplifies the process and saves some time while still delivering quality results. A mix knob is also a thoughtful addition to achieve parallel processing. The crossover frequencies of the bands are user-defined. Any band can be muted for monitoring individual frequency ranges. A global control for input gain and a useful high pass filter are also provided for volume matching and avoiding low-end pumping effects.
The plugin can be set quickly to get great results. It performs very well in taming harshness in the high end for drum busses cymbals or full-mixes. On the low end , I found it great for preventing bass or heavy guitars from getting muddy. Each band sports a width control to increase stereo information or collapse down to mono.
For individual elements or larger groups, this plugin is a great pick to add to your toolkit of VST compressor plugins for quick recall. See if you can spot any visual compromises they made along the way! The GUI is as no-frills as it gets, with a highly accurate real-time spectral display and a tabbed view for each band. ReaXComp supports practically unlimited individual frequency bands. From sculpting to high-quality crossovers, it can handle even the most minute, demanding mastering tasks with ease.
And… it also works as a multiband expander — a feature rarely found on other multi-band compressors in this roundup or otherwise. An auto-makeup gain function and sidechain ability round out this seriously serious plugin.
As always, they deliver in style. ReaXComp is the lord of the highly customizable multiband compressors. However, the emperor has no clothes, so you will have to get around the GUI or the lack of it.
ReaXComp can be made to sound fantastic on practically any source, or rather, make any source sound fantastic. Adding T-Sledge to the list and seeing that interface is almost like a throwback.
It is a specialized mastering compressor with a huge range of tricks. The plugin features a peak limiter, level maximizer, 4-band compression module, and more. You can select between a soft and hard knee style compression for each band. The ratio can be set to less than 1 to make the band work in expansion mode.
Setting it to its maximum value makes it function as a limiter. The plugin also sports an Auto Release Control mode that calculates release time continuously according to the input material.
FIRs are more accurate but introduce latency and hence might be suited only to mastering purposes. IIR is computationally efficient, ensuring that the plugin adapts well to mastering as well as real-time use.
T-Sledge may not rank as the best free compressor plugin but it is far from outmoded. From gentle to aggressive compression, this Winamp-era plugin will sit well with anyone who wants a professional sounding multiband compressor to shape their sound. It is especially suitable for a master bus or an instrument group with a wide range of frequencies.
As the name might suggest, this free multiband compressor VST is at its conventional best when used sparingly , but can achieve extreme effects when pushed. OTT is a visually simple but sonically explosive multiband compressor. The usage is simple: two knobs control the overall amount of upward and downward compression.
Sliders on each band control the amount of compression for each band. Finally, overall input and output trim gain can also be set. That said, it has the potential to be used cleverly in any other genre as well. While the conventional MBC plugins work in parallel i. For this plugin, the crossover frequency ranges react differently. If a compressor stage coming after the current one has a target range that overlaps with the current one, that frequency range will undergo compression from both stages one after the other.
MCS6 provides six serial stages , and each stage has filters like low pass, high pass, and notch , as well as a band option. Additionally, each stage can have multiple filters. Along with a compressor, each stage also provides a non-linear saturator. This can be great for adding some grit and character to a particular band and generate pleasant harmonics.
Each stage also has a stereo width control like in GMulti. As mentioned earlier, this can be very useful for creating a wider stereo field in the upper frequencies while maintaining a tight low end. Global high and low cut filters are also provided to remove any unwanted rumble or harshness before processing. MCS6 is a serial multiband compressor and saturator. Six stages of processing allowing many combinations – you can compress, saturate, equalize, control the stereo, and de-ess.
The clear user interface is also optimized for fast and precise workflow. MSCS6 is unique and precise due to its detailed metering and visual feedback. The addition of saturation per band expands its tonal palette apart from its dynamic control capabilities. Its serial mode of operation must be considered, however, as it can yield different results from what one would normally expect from a multiband compressor. Note: Technically, the next two plugins are dynamic equalizers and not strictly multiband compressors owing to the difference in parameters and filtering function.
However, the practical effects of both these processes in music production are very similar and somewhat interchangeable. Dynasaur is a 5-band dynamic equalizer with adjustable detection modes per band. Instead of crossover frequencies like in conventional multi-band compressors, it uses selectable frequencies and bandwidth Q-factor values like equalizers. In function, however, it works similarly to a multiband compressor in that it will perform gain reduction dynamically per band according to the set threshold and ratio.
The plugin sports an interface emulating hardware units, with labeled knobs instead of a graphical display. The controls are well calibrated and the curves sound musical. The RMS mode detects average levels across a set time window rather than instantaneous peaks.
Conversely, Peak mode reacts very fast to instantaneous spikes in signal level to trigger a reduction in gain. This is helpful for taming fast transients in high frequencies. Dynasaur lets you choose between either mode for each band to find the best shape for your sound. It is the best helper to tame your annoying frequencies. Dynamically ride your EQ or shape your sound with pure static EQ. Use it as de-esser, multi-band compressor, or peak rider!
Dynasaur is a great tool that lends itself to many uses, from a broadband compressor to taming specific problem areas and de-essing. Like all other Analog Obsession plugins, it costs nothing unless you choose to support the development voluntarily via Patreon. Tokyo Dawn Labs has earned a well-deserved reputation for high-quality plugins , paid or otherwise. Among them, TDR Nova is a great tool that justifies all the high praise it receives.
The inbuilt spectrum analyzer is fast and accurate, providing real-time displays of both the input signal as well as the dynamic changes in each band.
– Multi compressor logic pro x free
Convergence by Cut Through Recordings is a feature-packed multiband compressor with a beautiful interface. Touted as a mastering grade plugin, Convergence provides super clean and precise dynamic control and a good deal of configuration options.
They offer a free VST, which is the subject of this review. To my eyes, the GUI is immediately inviting and modern without being cluttered with too many controls.
The sound aims at utmost digital accuracy, with a very minimal phase shift. More importantly, the plugin is impressively efficient in terms of CPU consumption. In the free VST you can choose between 2 and 4 freq. The main spectrum analyzer display lets you easily adjust the crossover points of these bands. Our favorite feature is the ability to link any of the compression controls across all the bands.
This means you can increase or decrease the value of any parameter for all the bands at once. Each band can also be heard in solo, with the ability to solo multiple bands together. The plugin packs in envelope and compression curve displays gain reduction display is only in the paid version for accurate real-time visualization.
Oversampling up to 2x is available 8x in paid version to top off an already impressive feature set. This versatile mastering compressor can handle even the most dynamic of tracks.
Convergence features up to 10 bands of compression and as low as 2 bands. Convergence is worth checking out, especially as a field test for the premium version. It looks great and provides precise feedback of the compression process, true to its mastering grade tag.
GMulti should be the first thing you check out if you want a transparent multi-band compressor plugin. You can read the online manual and download the plugin here. GMulti fixes the number of bands at three. The presence of only 3 bands simplifies the process and saves some time while still delivering quality results. A mix knob is also a thoughtful addition to achieve parallel processing.
The crossover frequencies of the bands are user-defined. Any band can be muted for monitoring individual frequency ranges. A global control for input gain and a useful high pass filter are also provided for volume matching and avoiding low-end pumping effects. The plugin can be set quickly to get great results. It performs very well in taming harshness in the high end for drum busses cymbals or full-mixes. On the low end , I found it great for preventing bass or heavy guitars from getting muddy.
Each band sports a width control to increase stereo information or collapse down to mono. For individual elements or larger groups, this plugin is a great pick to add to your toolkit of VST compressor plugins for quick recall. See if you can spot any visual compromises they made along the way! In conclusion, while Quad Comp may not be as feature-packed as a few other entries we have, it is still a great contender that does everything a multiband compressor should. It sounds fantastic, looks great, and is easy to use.
For the price, it is well worth considering. Universal Audio is known for its extensive collection of excellent plugins, some built-in collaboration with professional engineers like Bob Katz. If you own one, you should consider this multiband compressor with five bands, an analog-looking interface, and Linear Phase mode.
The interface of this plugin has a very traditional approach. You will feel right at home from the start if you have used hardware multiband compressors or any other traditional multiband compressor software before. While somewhat limited in access due to the hardware requirements, the Precision Multiband is a considerable contender as a traditional, easy-to-use multiband compressor.
The Linear Phase mode also helps it excel at being used for professional mastering purposes. However, this plugin does seem extremely over-priced unless you manage to catch it while on sale. When it comes to sound quality, features, and versatility, it is pretty difficult to top FabFilter Pro-MB.
If you are just getting started, a free option like the Dynasaur is a great starting point. And if you are looking for a lot of flexibility, you could also check out the ReaXComp.
So, in the end, what you pick depends on your intention, workflow, and budget. However, any of those listed is not going to be a choice you will regret. Other Plugin Roundups:. Top 5 Diode-Bridge Compressor Plugins The 10 Best Convolution Reverb Plugins Top 7 Wavetable Synth Plugins Top 11 Plugins On Plugin Alliance Top 5 Multiband Limiter Plugins Step By Step.
What Are Audio Plugins? Different Types of Plugins Explained. Plugin Formats Explained. How To Clip My Drums? Joshi is a multi-award-winning composer and sound designer, specializing in film, game, and TV audio. He enjoys making cinematic music, rock, blues, and electronica. FabFilter Pro-MB 4. Leapwing Audio Dynone 3 6. Production King 2 7. OTT Explained. MCS6 by J Mastering Processes: Multiband Processing.
Are you interested in new audio plugins? Maximus is a beast of a plugin, with a great user interface and 3 bands of compression as well as a master band designed for limiting. The kicker with Maximus is that you can draw in the compression transfer curve yourself. So technically, you can also use it as a multiband waveshaper too.
So the interface here might look a bit confusing, but Multipressor is equally as powerful as many of the other options mentioned here.
You get 4 bands of control with all of the standard features for dynamic control — ratio, threshold, gain, attack, release and even a dedicated expansion section, allowing you to control both sides of the dynamic range. Recommended: Music Production Software Guide. And if you need extra help understanding mixing, make sure to grab our FREE compression cheat sheet below!
As always, any questions — let me know at [email protected]. Learn how to master the fundamentals of electronic music production with the best roadmap for new producers.
Free Masterclass. Aden Russell February 24, To most new music producers, multiband compression seems like a dark art. But first, need some help understanding the basics of compression? Aden Russell. With 10 years of music production experience and some marketing chops, I head up the content here at EDMProd. I also make music under Artsea. My pastimes include reading, drinking coffee and taking photos.
With downward expansion, the signal is reduced in level when it falls below the threshold level. This works in a similar way to a noise gate, but rather than abruptly cutting off the sound, it smoothly fades the volume with an adjustable ratio.